“When I wrote it, I was at a point in my life where I’m just kind of against love songs - I told the writers, ‘You can go pitch it to another artist. When they gathered in the writers’ room, they asked Moroney what kinds of songs she didn’t already have for the album, and she replied, “I don’t write love songs. Love song “Sad Songs for Sad People,” which Moroney wrote with Jordan Fletcher and Ian Christian, closes the set. “I put the names of John Prine and Loretta in my songs, because I know some of my fans may not know who they are, but maybe they’ll go back and listen to some of their music.” That influence came from my dad,” Moroney says, recollecting summers spent driving to New York to visit her father’s family with the music of Emmylou Harris and Gram Parsons as the soundtrack. “They are legendary songwriters and I think their songwriting carried their careers. I just thought, ‘June, how did you know to stick with him through all of that? How did you know he was eventually going to be writing you poems every day?’ That song is special, because it was the first time I had written about someone else’s love story, but then tied it to my own.” “Johnny struggled with alcohol and substance abuse and was living the rock star life. As soon as I saw that, I thought, ‘Oh, well that’s a little messy,’” she says with a laugh. “Everybody recognizes them as this iconic love story, which they definitely were… I didn’t realize that when they met backstage at the Opry, they were married to two different people. Moroney and Matthews divert from sugary love anthems that laud the long-wed couple and instead dissect the difficult times on lines such as “When he came home late on booze and pills, lyin’ through that perfume smell coming off his shirt/ What made you want to make it work?” The girlfriend accidentally “liked” a Spring Break snapshot of Moroney from 2016 in Panama City Beach, Florida.Ī significant chunk of the album deals in weary heartbreak, including “Kansas Anymore,” “Sleep on My Side,” “Mustang or Me.” In “Why Johnny,” written with Matthews, Moroney focuses on the 35-year marriage of late country music icons Johnny Cash and June Carter Cash. There’s also the roadhouse wisdom of bar owner Miss Daisy in “Another on the Way.” “I’m Not Pretty” was inspired by Moroney’s ex-boyfriend’s new girlfriend scrolling through Moroney’s Instagram page at 2:00 a.m. 10 on the Country Airplay chart, the song has been certified platinum by the RIAA and helped garner Moroney a nomination for new female artist of the year for the May 11 Academy of Country Music Awards.īut Lucky features a deft mix of sass on tracks like “Georgia Girl” and “Lucky,” as well as heartbreak. TikTok sent the song viral, which swiftly ushered Moroney into a management deal with Punchbowl Entertainment and a co-label deal with Sony Music Nashville and New York’s Columbia Records.Īs “Tennessee Orange” continues its surge at country radio, currently at No. Moroney sharpened her writing skills at Nashville’s writers’ rounds and in writing rooms, before penning “Tennessee Orange” with Williams, Paul Jenkins and David Fanning. The two kept in contact after Moroney moved to Nashville in 2020, and Bush would later end up producing Lucky. “There’s value in being able to write with these legendary writers, but also to collaborate with writers like Ben, who has been growing with me at the same time,” Moroney tells Billboard.Īs a student at the University of Georgia, Moroney had interned for Sugarland’s Kristian Bush. Simultaneously, she also draws on longtime collaborators such as “Tennessee Orange” co-writer Ben Williams, who has seven credits on the project. Moroney’s depth of skill and tenacity is on display as a co-writer on every song of the project - many of those tracks marking her first writing sessions with storied scribes including Luke Laird, Lori McKenna, Jessie Jo Dillon, Rodney Clawson, Matt Jenkins and Conor Matthews. Jimmie Allen Issues Apology to Wife Alexis Gale for 'Humiliating Her With My Affair'
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